Friday, November 13, 2009

An experience of creating a monument:Laman Arca "MIM"UiTM- 2005-2006






"public art generates an instructive critique of how community has been variously positioned in recent years. A central question is how can public art, like post-Minimalist, site-specific practices, retain or produce some sense of identity and particularity when we experience neighbourhoods as "one place after another"; or how can community-based art allow for local participation without succumbing to the domination of market forces or institutional management?''
Miwon Kwon (2002).One place after Another: Site- Specific Art and Locational Identity, Cambridge
, Mass: Mit Press

Among the public-art projects I was involved with in Malaysia was building a landmark for UiTM( MARA University of Technology). It was named as "Laman Arca Mim".That was a great experiences for myself in terms of managing a commission work and having the opportunity to collaborate with other professionals such as architects, civil engineers and bureaucrats. It was a collaboration of ideas from several young sculptors and a re-known Malaysian sculptor Ramlan Abdullah, to finished and completed within 18 months from the process of getting the budget, developing the ideas till the execution at the selected site.

The idea of the landmark derived from the "Jawi Calligraphic letter" which sounds like the letter "M" and is the first letter in the word "Malay".Supporting the main form of the sculpture "Mim" are several lines of text and quotations from the former and current Malaysian leaders which were sandblasted to the surface of nine local granite boulders . The team went through a lot of difficulties and challenging issues in terms of technical knowledge and expertise, however the project was completed on the expected time and officially launched in November 2006.


Friday, June 5, 2009

Malay Idiom series-2005













Contemporary Metal Exhibition 2005-Maya Gallery,Bangsar , Kuala Lumpur

Friday, April 24, 2009

Manifesting the seven conditions into artforms






































"...The Sultan, smitten by the rumoured beauty of the princess, was even agreeable to all except the last condition..his son's blood."




7 trays of mosquito hearts.





The making of "nyamuk" ..for Alegori Ledang exhibition


















Perhimpunan Nyamuk II.
Private Collection



"In her works ,Sharmiza uses various materials -constructed,fabricated or in their natural state -steel,mild
steel,magnifying glass,coloured glass ,wire mesh,copper-tubing,copper plate calipers,cast iron,galvanised iron, wood and brass. She intricately crafts mosquito models in galvanised wire ,showing how such delicate creature can wreak lethal havoc,sapping at the moral fibre.When replicated in swathe as in 'Perhimpunan NyamukII'(mounted on velvet) ,ironically ,it looks like some elaborate filigreed jewellery trousseau;beguilinglygraceful and feminine. It is like a mind -teasing conduit to the realm of realisation, mirrorring the truth under scrutiny or deeper reflection."
by Ooi Kok Chuan .July 15th 2004.NSTP.

Reviews and paper cuttings on 'Alegori ledang 2004'






Monday, March 23, 2009

Alegori Ledang. Solo Exhibition 2004




I have drawn my inspirations for this new series from the Legend of Puteri Gunung Ledang (Fairy princess of Mount Ophir). The legend speaks of Sultan Mahmud's attempt to gain the hand of the fairy princess. Already married to princess from China and Java,the Sultan seek to posses one whom no other Sultan can. A delegation that include the warrior 'Hang Tuah' was dispatched on his behalf.Upon contacting the representatives of the princess,they learnt that she required...

a bidge of gold and silver that spanned from Malacca to Mount Ophir
Seven trays of mosquito hearts

Seven trays of midge hearts
A vat of water from dried areca-nuts

A vat of tears of virgin maidens
A cup of the Sultan's blood
A cup of the Sultan's son's blood

This story fascinates me with its interweaving of history, legendary figures and old fables and its moral behind the story. It also symbolically raises the value of an intelligent Malay women who challenge the mindset of those that are in power. Realising that the seventh condition cost was too high (to get a cup of his son's blood), the Sultans finally withdrew his suit. Recorded in Malay history, the story forms part of this seminal text that puts forth some of the cultural foundations of a Malay identity. Written during the Malacca Sultanate ,the text presents cautionary tales that exemplify the values of humility,loyalty and knowing one's place in society.


Extended Series ; .2001-2003














Mixed-Medium,2001.
Issues on early education in our country...


Mother & Child.2001. Collection of National Art Gallery,K.lumpur.

Mother & Child was among series of work extended from the 'Echoes of Dreams'.